Showing posts with label chanel. Show all posts
Showing posts with label chanel. Show all posts

Monday, June 20, 2011

Seven people dinner, dead or alive



I've mixed it up, some people I want to have really good and serious conversations with but seem to still have a certain level of social awareness, and some who seem like fun but would still be willing to participate in a proper conversation. I've had Shopenhauer as my imaginary friend for a while now, I am certain he was full of dry humour that people don't seem to appreciate but that I see all over his writing. So he definitely gets to sit next to me. The rest are arranged in a manner that shakes up their comfort zone on one side and on the other they might be with someone they could have a good conversation with, possibly, when not participating in a general, table wide conversation. I've got Darren Criss on my other side because he seems like a fun person to hang out with, so provides a necessary easing up of the athmosphere while still being perfectly happy with engaging in serious conversations elsewhere.

1. Arthur Schopenhauer

2. Virginia Woolf

3. Coco Chanel

4. Natalie Portman

5. Jean-Paul Sartre

6. Kristen Stewart

7. Darren Criss


How would you arrange your dinner table?

Wednesday, February 23, 2011

Oscars and Gowns

Where Oscar de la Renta plays a bigger role than the winning role of the state of American decadence as Oscar Wilde pointed out*, the Oscar Awards march towads awarding the roles of cinema. I, for one, take the opportunity to enjoy some of the most spectacular gowns of the past decade and thank all three Oscars, whichever their proposition or position. In order of preference, none less...

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Penelope Cruz in Versace

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Julia Roberts in Vintage Valentino

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Anne Hathaway in Armani Privé

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Zoe Saldana in Givenchy Haute Couture by Riccardo Tisci

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Kate Hudson in Versace

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Penelope Cruz in custom made Chanel by Karl Lagerfeld

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Hilary Swank in Guy Laroche

* Oscar Wilde quote - "America is the only country that went from barbarism to decadence without civilization in between."

Friday, October 15, 2010

Portmanteau Dress Crush - Chanel Pearl Dress

A few posts back you saw me swooning over a Rochas dress from the Paris Fashion Week and today I've come across another of these dresses that I have drawn up before in a similar concept and wished I had the funds to make myself. It's always surprising to see something you know more than anybody else has come from your own mind, placed on paper (badly, I'm no drawing genius) and then, suddenly, it has actually been created by someone else, sometimes even decades ago. It's a strange strange sensation, one I have come across a lot as a teenager when I was discovering all these thoughts and concepts I had though of on my own had been thought of centuries before. I had to learn to acknowledge that the cultural situation in which I have grown up were based on the knowledge of the piece of thought or idea I had come up with on my own and therefore laid an easier train of thought for me, but I will never get over hating the fact to an extent that because I didn't think of it first, no matter how much I actually thought of it without outside help, it's rendered void.

To get back to the topic, I came across another such dress in the form of a Chanel dress on Keira Knightley. As most of you know, I'm a pearls girl. I've included pearls (salt water or fresh water, never plastic) in my pieces as features but have from the very beginning dreamed of making a dress like the one I've come across today - made entirely of pearls in a cut that was modern and fresh, exposing certain bits of the body under a layer of loose pearls hanging heavily upon the skin. But could I afford it? No. Here, feast your eyes on the dress I've dreamed up but couldn't afford to make. Some of you will even recognize the features I consistently use - exposed back, cap sleeves, v-neck bust line, buttoned skirt back, contrast hem lines, knee length skirt. For now I guess I'll just have to make do with the thought that I came up with a dress on my own that Chanel made.




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Keira Knightley in Chanel at the 'Never Let Me Go' Premiere at BFI London Film Festival. All images taken from Styleite.com

Sunday, September 5, 2010

Pink Chanel Suit - Charlotte's earliest fashion memory

Remember the "Earliest Memory" competition that the soon to be launched website Young British Designers held? Well, if my partner's sister Charlotte had written an entry, it would have been about the pink Chanel suit that was given to her as a child. She never took it off, I was told, and played in the holiest of fashion tweeds, merrily in the sand. I really loved that idea and wanted to replicate the suit as I imagined it for her birthday. The birthday was a few months ago but I finally got round to doing it. Researching vintage Chanel patterns, I have updated the pattern a notch - I included seams at the back to give it a bit more shape and created a pleated soft tear which points up the shoulders.

Wednesday, August 25, 2010

Breaking the cycle of see saw

After writing a heavily philosophical or thoughtful post I tend to go for some lighter outfit ones. the need for that balance is great in me, whether it be craving something salty immediately after having had something sweet and vice versa or needing to dress elegantly the day after a grunge day and, you guessed it - vice versa. I am much like the weather, I wished there was a medium but instead there's merely a see saw of opposites. I therefore decided to try and include a see saw within a single outfit to see whether that would break me free from the cycle and opted for a black leather dress, richly filling my nostrils with leather, and patent pink Longchamps with a Chanel - like pink and black knitted blazer.

Now - most of you out there who know me will probably not believe their eyes seeing that I am wearing pink. No, don't get your hopes up. I still don't like pink in most of its monstrous variations in existence. The lighter shade of red that is pink need not look like an exploded bubble gum, which is what I tend to say a cheap children clothing department looks like. It needs to either be strong, deep and vibrant in a fuchsia - almost a shade of purple rather than red, or so pale it could almost pass off as a nude color. There is also an optional fabulousness of bright neon which needs to be teamed up properly in a bid to be kittted for a trip to a Gay parade, but that's another story. Those are pink variations I can live with.

Black leather Vila Clothes dress
Calvin Klein tights
Pink patent Louboutin heels
Pink and black bow knitted Chanel like Primark cardigan
Black rubber Longchamp bag
Brown Aigner sunglasses
Black plastic bow headband
Black Yorkshire Pearl bracelet

Tuesday, June 15, 2010

When Branding gets out of Hand

Brands. In essence a name, a brand has almost as much character and social attachment, stands for as much content as does the name of a human being. In fashion and design, a brand name is marketed to convey quality, when it is in fact conveying fame. What is actually happening is that we accept that they are famous FOR being of a certain quality, almost implying that non famous brands are not entitled to use the word "label" or "brand", socially speaking, until they are actually known. This doesn't change with quality or craftsmanship. Many unknown creators and makers may create high quality garments but are still regarded to be of lesser value because the "label" isn't famous. Originally, the fashion label was only meant to be a signature of the maker. However, I have come to accept that I am brainwashed and actually enjoy and toil in the social as well as stylistic, immediate classification and implications that come with being the wearer of a certain brand. Yes, I admit I'm brainwashed, and I admit that because these social stigma have been taken on within the fashion world, they do, in fact, mean what they imply.

However, there is a tipping point. Being too popular excludes the exclusivity as we have seen with Louis Vuitton bags. Perception changes, even if I can still differentiate between the spoilt teenager who is using a vintage tote she inherited from her grandmother hence carries it with a flair of entitlement, to the horde of Londoners that wear their fakes with a sense of "Well, it's just a bag and I like that it's brown". Good point, but it does change one's perception of the brand.

There is also a tipping point in a different direction, which is that of pushing the brand too far from their own lines. In order to stay abreast nowadays, big fashion lines and stores need to be able to stock and provide the entire range of products. Chanel is no longer just about the perfectly tailored tweed two piece casual suits, but about sunglasses, bags, shoes, jewelery, anything you can think of. However, when do brands go too far? It is difficult to tell because in many instances, actually having ventured that far out of their original concept and interest was so welcomed by brand mad fashionistas that it has gradually become part of the brand's spectrum.

One instance, however, is that of what has been reported by styleite.com as an idea by Christian Dior to brand contact lenses. Am I alone or does this just seem utterly tasteless? Then again, we buy branded glasses and having contact lenses from one brand may find buyers interested in showing off they bought labeled, hence "better" contact lenses than the "normal, unlabeled ones". You know, those which may, in fact, have been created by experts, and not a fashion house.

Along these lines, not long ago, Chanel decided to bring out a limited edition of transferable tattoos of the brand, slightly shaking their elegant image marketing it as a "rock punk edge" (independent.com) to the label, which I personally think was PR bullshit to cover bringing out a gadget. A very popular one, sure. In fact, it looked pretty hot. That does not, however, make me think this is really acceptable.

At what point does the wearing of a label that we pay very big sums of money for actually become a simple form of advertising? Isn't it weird that we pay to carry the stigma and connotations of a brand when we should actually be paid for doing so since it is, in fact, advertising? As a result of this train of thought I think that the limit I would like to imagine marks the end of acceptable forms of branding is when the brand is either applied to our own body or used in a "gadget" that is a necessary form of support such as glasses and hearing aids, rather than worn as a stylised and chosen product. But that's just my opinion.